{"id":1013,"date":"2012-11-15T16:19:20","date_gmt":"2012-11-15T21:19:20","guid":{"rendered":"http:\/\/stringpage.com\/blog\/?p=1013"},"modified":"2012-11-15T16:19:20","modified_gmt":"2012-11-15T21:19:20","slug":"edges","status":"publish","type":"post","link":"https:\/\/www.stringpage.com\/blog\/?p=1013","title":{"rendered":"Edges"},"content":{"rendered":"<p>I taught a new class at Complex Weavers in late September, on edge finishes for woven textiles, both warp and weft. I thought I was going to get the bibliography cleaned up and posted weeks ago, but since that hasn&#8217;t happened yet, I&#8217;m going to just go ahead and post it as is. <\/p>\n<p>The class turned into an odd mix of library tour, show and tell, practical information, and philosophy of craft production. I wasn&#8217;t sure how it would go over, but my students liked it. They demanded to see more about certain textiles, and asked lots of questions. <\/p>\n<p>I made the point that the two-bar horizontal loom was the height of weaving technology from a structural perspective, and that everything we&#8217;ve done since then to improve efficiency has simultaneously limited the structural possibilities. The turning point was the switch from knitted string heddles to eyed heddles: once the weaver has to cut the warp, there cannot be four woven selvages.<\/p>\n<p>I illustrated a variety of finishes for side selvages and both looped and cut warp ends drawn from historical and ethnographic material, mostly early northern Europe and South America.<\/p>\n<p>I received an excellent compliment: one of the women in my class approached me the next day to tell me that she&#8217;d lain awake in bed thinking about how to use the ideas I presented in her own work. WIN.<\/p>\n<p>I can&#8217;t share most of the material I presented, but I can give you all the bibliography. Here are the sources I drew from:<\/p>\n<p>Alvarez, Nilda Callanaupa. 2007. Weaving in the Peruvian Highlands. Interweave Press.<\/p>\n<p>Atwater, Mary M. The finish of edges. <\/p>\n<p>Broudy, Eric. The Book of Looms<\/p>\n<p>Cahlander, Adele and Marjorie Cason. 1977. A tubular edge-binding from Bolivia. Weaver&#8217;s Journal 1(4):13-15.<\/p>\n<p>Collingwood, Peter.  Techniques of Rug Weaving.<\/p>\n<p>Gillis, Carole and Marie-Louise B. Nosch. 2007. Ancient Textiles: Production, Craft and Society. Oxbow Books.<\/p>\n<p>Hald, Margrethe. 1980. Ancient Danish Textiles from Bogs and Burials. National Museum of Denmark.<\/p>\n<p>Heckett, Elizabeth Wincott. 2003. Viking Age Headcoverings from Dublin. National Museum of Ireland.<\/p>\n<p>Hundt, Hans-Jurgen. 1981. Die Textil- un Schnurreste aus der Fruhgeschichtlichen wurt Elisenhof. Peter D. Lang, Frankfurt. <\/p>\n<p>King, Mary Elizabeth. An unusual border construction from Peru. 22-37.<\/p>\n<p>Moller-Wiering, Susan. 2011. War and Worship: Texiles from 3rd to 4th-century AD Weapon Deposits in Denmark and Northern Germany. Oxbow Books.<\/p>\n<p>Posselt&#8217;s Textile Journal, January 1914. Manufacture of narrow wares. <\/p>\n<p>Sewell, Suzy. Peruvian tapestery.  Minnesota Weaver 19-21.<\/p>\n<p>Here&#8217;s one of the quotations I used to introduce the topic:<\/p>\n<blockquote><p>\nSpeaking of ancient Peruvians reminds me that most new weavers are too casual about edge finishes, with a tendency toward stringy fringes and unbeautiful resolutions to borders. I ask them to look at ancient cloths to realize that if those weavers were short on time, they would concentrate on the border only with the center field in a simple plain weave. The way that we braid or stitch or otherwise resolve the beginnings and endings can be an important aspect of the design.<\/p><\/blockquote>\n<p>-An Interview with Jack Lenor Larsen, The Weaver&#8217;s Journal, Summer 1982, 10-17.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I taught a new class at Complex Weavers in late September, on edge finishes for woven textiles, both warp and weft. I thought I was going to get the bibliography cleaned up and posted weeks ago, but since that hasn&#8217;t happened yet, I&#8217;m going to just go ahead and post it as is. The class [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1013","post","type-post","status-publish","format-standard","hentry","category-miscellaneous"],"_links":{"self":[{"href":"https:\/\/www.stringpage.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1013","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.stringpage.com\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.stringpage.com\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.stringpage.com\/blog\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.stringpage.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1013"}],"version-history":[{"count":4,"href":"https:\/\/www.stringpage.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1013\/revisions"}],"predecessor-version":[{"id":1032,"href":"https:\/\/www.stringpage.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/1013\/revisions\/1032"}],"wp:attachment":[{"href":"https:\/\/www.stringpage.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1013"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.stringpage.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1013"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.stringpage.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1013"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}